The entry point

© pj nair

Last weekend, twelve of us gathered together at Kodeeri Mana in Naduvattom to discuss the following:

1. Background of the formation of Nila Foundation.
2. How different entities like The Blue Yonder, Vayali, Madhava Vidyalayam and Kodeeri Nature Camp became partners and came on a common platform.
3. Need for action and focusing more on DO’s and less on DON’Ts .
4. Need to institutionalise Nila Foundation while still maintaining the holistic approach.
5. How to move from the scope of ‘Preaching to the converts’ to "the common people"
6. What should be the entry point to achieve this?
7. Who could be the potential partners?
8. What should be criteria for taking more partners?
9. Revisit the objectives of the foundation.
10. Status of 'Puzha Malayalam'.
11. Tangible action plans for the immediate future

© pj nair

Most of the 'get-togethers' are because people think alike and they want to make a difference. This is of no difference to our get together also. We were there because we were concerned about the devastating changes that are happening, but strongly believe that we can actually make positive changes rather than just sit and watch the world go by. It was in this context that Nambu raised the point of 'preaching to the converts' (point 5) in one of our informal get together.

Whats the point in discussing things between us when we are convinced that there is a need for change? We had a small debate on what should be the entry point to reach common people to explore the options of a sustainable lifestyle. Some of us strongly believed that the river itself is the entry point or the medium to reach people. But some of us were not really convinced if the river was actually so much a part of people's social psyche as we claim!


© pj nair

After a week from that discussion, I just received this note from a person called PJ Nair from Dubai along with the above pictures :

"I just surfed by into your website; I was fascinated and by your singular passion for the Nila, and I’ve, too, felt a similar, unknown fascination with this enigmatic river and the rich culture of the people who abide along its banks. All along, since childhood, I’ve tried to express my love for the river in words dredged from my memories, but alas! I’m not cut out to be a writer. But of late, I take pics of the river whenever possible- though I prefer to go upriver, near Lekkidi and Tiruvilwamala, where it’s more open, less populated and the views are exquisite. Here are a few panoramic pics off the bridge at Lekkidi. My best wishes towards the success of your book."

For some people the river is still a connection!

Bangalore © GP 2008

Underneath the skin

TBY launch in Jaipur. Pic courtesy John Dean
We have been interacting with an American Travel operator to explore the option of working with The Blue Yonder in Rajasthan. On a visit to see our work with the communities in Jaipur, they were keen on knowing how much money was going to the communities, to the local organisations we work with, to The Blue Yonder and how we maintain the transparency in financial dealings etc. Positioning their company as a Responsible Travel company means that they were also accountable for the 'claims' of potential partners like us. Their clients will be keen on knowing how their contribution would make a difference.

Providing dignity is key while working with communities. Pic courtesey John Dean
Since most of our destination management experiences came from what we learnt from River Nila in Kerala, we take our activity partners in other destinations to understand where we come from. It's amazing to see how people from different culture ( within India) look at these initiatives in different way. Local dynamics are so different with the communities we work with in different parts of India. In some places, people continue to work with art and crafts, because they have the passion and drive to do it, but in some other places, they do it because that's all they know as a livelihood and without art they are in utter poverty.

In our journey through Rajasthan, this was something that stood up most of the time. Any tourist hotel in Rajasthan would have an evening performance. There will be artists dancing and singing and there will be tourists sitting and sipping their beers without knowing anything about the background of the artists or why they are there! For most international tourists, this is in any case something quite exotic.

Most of these artists are hired by contractors who 'outsource' them to different hotels in the cities and are paid pittance once in a month. There is absolutely no element of dignity in their work and they perform for the sake of bread-winning. They mostly just dance around, sans any energy, any passion and I don't think any one can blame them if you don't even see a sincere smile on their face. How do you smile when you are not happy? When your constant worry is about next days meal, where will that genuine smile come from?

One of our artist friend from Rajasthan after his tour of Kerala mentioned the other day, "You guys can talk about reviving art forms and tradition. That's nice. But many of the guys you work with in Kerala are grounded properly and have their livelihood. They have a basic comfort zone to explore further. In our case, we are struggling to earn our living and still want to pursue our traditional arts. We wonder how we can strike a balance between these two worlds".

Pic courtesey John Dean
When I shared our Rajasthani friends observation on Kerala artists being well off to one of our artists in Kerala, he said, "Yeah, we are good in faking. Good that our friend didnt see what is really happening behind the fancy clothes we wear and the decent looking houses we have"! There is not single day that I go to bed wondering how we will get through this month with mounting expenses in my day to day life!"
Bangalore © GP 2008