Saturday, 23 December 2006

Madhava Vadya Vidyalayam


Bangalore

It was when we heard about the caste barriers that many of the lower caste musicians face in terms of performing with other upper caste musicians (in front of respectable audience and famous temple courtyards) that we decided to incorporate "Music trail" as a one day program during our Nila experience. Since we were working closely with the Pulluvans by then, we were already looking at the social angle of the work we were involved with.

The Pulluvans were facing economic and social problems as they were struggling to make a living with the traditional knowledge they couldn't practice much any more (which was their sole source of income for many generations).

Similiarly, the musicians of Madhava Vidyalayam in Mulayankavu were from a community called "Mannan". (different from the Scheduled tribe of mannan who are found in Idukki and Madurai districts of Kerala and Tamilnadu). The "mannathi" basically does (used to) the laundry for the neighbouring villages and the men of the family were taking on the roles of "Velichappaadu" (Oracle) or priests in community temples (kaavu) or even as traditional healers (medicinal). The men also used to play musical instruments like "Thudi" and "Para", but not Classical instruments like "Chenda" which were mostly related to temple rituals. (and hence no entry for lower castes to perform inside the courtyard)

It was Aravindakhan's father (standing on the left in the group photo) who instilled the interest for music amongst his sons and they went on to practice music for many years and most of them ended up playing almost all the percussion's known in Kerala including classical Chenda. Unfortunately the rigid caste system that is followed in Kerala (Yes, we are also known as the most progressive, educated and literate society in India!!) keeps them away from many places where they would ideally like to perform!

If they can't be taken to places and courtyards of traditional performances, we thought of bringing music loving audience to them and that was the beginning of "Music Trail", which is one of the strongest element of our holidays on the banks of River Nila.

© GP 2006

7 comments:

Anonymous said...

uh? I didnt knw that you still had caste restrictions in Kerala> Gpi tell us mre on this. i had thought that anyone can enter any temple ni kerala except sabarimala where only women after puberty arent allowed.? enlighten please :) G, u better find time regularly to blog, this is becoming interesting, patty and i have started chcking it daily! Hugs

Anonymous said...

Kerala is so much more liberal, reading this some will think along UP lines.The Malayalis are one of the most progressive &liberal. It is the diminishing numbers in domestic audiences that mostly perpetuate some of these old practices. Financial is the catch word.When even the so called higher caste artists find it difficult to manage 3 meals;leave alone 'square',can they be blamed for holding on to age old practices and not sharing.I agree there may be some exceptions,but then they are not many.Restrictions is too harsh a word to apply.In a society where being born into a higher caste ensures all possible governmental restrictions ,it is only natural that these practices will only die a very slow death.
Give the malayalis credit ,after all they did away with untouchability long before others even thought about it!

Anonymous said...

The Malayali esp.Hindu,likes questioning & to be questioned !How much liberal can you get?

Anonymous said...

There is no restrictions in Kerala Hindus - to enter in to a temple.
But definitely there is severe restrictions in some practices to be performed inside a temple.
Non brahmins will not be allowed to become priest(but we can find exceptions) non brahmins will not be allowed to enter in to the 'namaskara mandapam' making garlands are the duty of variers or othter non brahmin upper castes, nairs being an upper caste did not allowed to perfom with musical instrments like chenda and idakka inside the temple (but there is a paradox - maaraar/poduval caste which is below the nairs in caste hierarchy is are the traditional musicians in temples and becoz of that they believe they are upper castes above nairs!!)

Lower caste members starting from Tiyaa or Ezhava to Paraya community members don't even had the right to walk near the streets of temples fifty years back. Due to an organised social movement that shamefull situation changed. Now all castes can enter in to any temple in Kerala. Like that a social movement is required to change the previling situation of reservation of jobs in temples. No deity will curse the society if we are throwing away the reservation practice.

jayadevan

GP said...

sorry about the delayed postings of comments! been travelling and once again got into trouble. a dog bit my right arm ;) and cant use the R arm as much as i would want to. G

Anonymous said...

hope u arent bloody joking!

Anonymous said...

The Temple Entry Proclamation issued by Maharaja Shri Chithira Thirunal Balarama Varma was in 1936.I didn't know that there were that many jobs, esp.based on the caste hierchy,in temples of kerala to merit a major 'social movement!.The important thing is that a social wrong that prevailed for ??centuries was righted and it was done from within the malayali society.
The comments seem to have moved from the melodious music trail to the dissonant caste trail.